داستان آبیدیک

nature of art


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1 اقتصاد:: ذات هنر

To this end, hereinafter, the aim will hence be to provide a brief overview of selected perspectives on art, to discuss dominating approaches to the operationalisation of the abstract nature of art and to briefly present the different art forms that may be relevant in order to organise the manifold manifestations of LBACs into distinct types. Yet, such a synoptic overview can be considered as being superfluous anyhow since all attempts to conclusively ascertain the particular nature of art appear to have finally failed (Torres/Kamhi, 2000, p. 95) in times where a major part of art is no longer appealing The incapacity shown by the above perspectives on art to define essential attributes that would be unique to art or common to all empirically observable artistic manifestations led some scholars to assert that one will never find a convincing answer to the question on the concrete nature of art (e.g. (2) Institution-focused approach to art: Another strategy to prevent reflecting on the distinct nature of art represents the institutional perspective on art that assumes that art can only be recognised as such by reference to a certain social framework (Danto, 1964, p. 580). Having met a huge commercial success, Louis Vuitton's highly mediatised artist co- operations are not only commonly referred to as best practice example that other luxury brands have since then been following (Boche, 2010; Chevalier/Mazzalovo, 2012, p. 210; Klanten/Ehmann/Sinofzik, 2012, p. 9; Maxwell, 2011; Michau, 2009), but also mark a turning point as to the nature of art that luxury brands request henceforth inspiration and value of.

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